| Yokai Monsters - Spook Warfare | 
| Director: Yoshiyuki Kuroda
Actors: Chikara Hashimoto, Tomoo Uchida, Gen Kimura, Yoshihiko Aoyama, Gen Kuroki
Studio: ADV Films
Category: DVD
List Price: $19.98
Buy New: $6.57
You Save: $13.41 (67%)
Buy New/Used from $4.55
Avg. Customer Rating:   (10 reviews)
Sales Rank: 67961
Format: Anamorphic, Color, Ntsc, Subtitled, Widescreen
Languages: English (Original Language), Japanese (Original Language), Japanese (Published), English (Published)
Rating: Unrated
Media: DVD
Running Time: 90 minutes
Number Of Items: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
UPC: 702727061127
EAN: 0702727061127
ASIN: B00008OTTK
Release Date: May 20, 2003
Theatrical Release Date: 1968
Availability: Usually ships in 1-2 business days
|
| Similar Items:
|
| Editorial Reviews:
Description
While storming the ruins of Babylonia, thieves unearth the ancient tomb of the wicked vampire demon Daimon. The demon flees to Japan, where he takes possession of Lord Isobe's soul and begins to feed on innocent townspeople. An astute villager suspects local patriarch Isobe has become a bloodthirsty demon and seeks help from friendly Yokai (Spirit Monsters) to uncover the truth. Will the army of Yokai be enough to help vanquish the dreaded Daimon, or will the villagers fall prey to an unspeakable fate?
|
| Customer Reviews: Read 5 more reviews...
 Most thrilling entry in the "Yokai Monsters" trilogy August 9, 2008
This is the best of the three "Yokai Monsters" films, about traditional Japanese "apparitions," made in 1968-69. Of the three (the others being 100 MONSTERS and ALONG WITH GHOSTS), this is the only one to give its demon, or "apparition," characters a major stake in the action. We actually get to see the demons a lot as they take the initiative to respond when an outside demon, a genuine threat to the human characters, enters the scene and forces the local demons to act and protect their interests. It all starts when Arab tomb robbers unleash "Daimon," an ancient demon in "Babylonia," which then, for some inexplicable reason, flies to Japan to wreak havoc, first by taking over the body of a kind and benevolent local magistrate and then doing the same to his steward, alarming the magistrate's daughter and his loyal samurai retainers. Kappa, the water imp, emerges from the pond at the Izu Magisterial Palace, where all this takes place, and sees the demon's true form and tries to subdue it, to no avail. So Kappa seeks out his demon compadres and tries to convince them to help him fight Daimon. Eventually, two children, fleeing abduction by the possessed Magistrate's men, ask for help from the demons, who are moved by an appeal to national pride. The "nippon no yokai" must band together to uproot the foreign interloper who threatens to bring shame on "Japanese apparitions."
One of the samurai retainers, Shinpachiro, takes an active role in fighting Daimon as well, going as far as to visit his uncle, a Buddhist monk, to get the necessary occult weapons. He actually makes some headway, forcing Daimon to depart the magistrate's body to seek a new host. But in the process, the good Japanese demons wind up trapped in a vase with an occult seal. When the new magistrate, newly possessed, sentences Shinpachiro to death for killing the previous magistrate, Lady Chie, the dead magistrate's daughter, is forced to seek help from the only two demons who hadn't been sealed up. Eventually, it all culminates in a battle royale between the Japanese apparitions and the now-giant-sized monstrous Daimon.
This has the most suspenseful story and imaginative action of the three films in the Yokai Monsters trilogy. It also has the greatest participation of its demon characters. Kappa, a cute creature with lily pad garments and a duck's beak, is the most proactive of them, but he gets lots of help from the umbrella demon with a long tongue, the woman with a long snake-like neck, and the two-faced woman with a pretty face on one side and a monstrous crone's face on the other. One fox-like fellow has a big stone belly that's able to "tune in," television style, to the antics of the demon villain. These characters are mostly played by actors in costume and makeup, although some, like the umbrella demon, are created via mechanical effects. It's all fun to watch.
This was made by the Daiei Studio, which also gave us the Gamera films of the 1960s and '70s. The Yokai films suffered a bit from having lower budgets than their counterparts at Toho Studios and Toei Pictures would have had, but, as in this film, a little imagination went a long way in making up the deficit. This particular entry in the series is often cited as the movie that inspired Takashi Miike's remake, THE GREAT YOKAI WAR (2005), also reviewed on this site. Miike, of course, took the subject in a whole new direction, and the result was a very different kind of film and not one that I found as entertaining as this one.
Spooks on the warpath May 9, 2006
3 out of 3 found this review helpful
Okay, it's a cheesy monster movie. But it's a GOOD cheesy monster movie.
"Yokai Monsters - Spook Warfare" is one of the best examples of old Japanese horror, with traditional monsters in a comic battle of wits and magic. While a lot of the costumes aren't very convincing -- unsurprising for the 1960s -- it's a funny and very weird story.
A pair of Arab tomb-raiders are pillaging an ancient Babylonian ruin, when they accidently set free the ancient vampire Daimon. Daimon travels (for no apparent reason) over the sea to Japan, and takes over the body of the magistrate. After he trashes shrines, kills the dog, and starts sucking blood out of his servants, his daughter Chie (Akane Kawasaki) and her boyfriend Shinhachiro (Yoshihiko Aoyama) start to figure out that there's something wrong.
Daimon also evicts the house's water demon (or kappa), who flees to the Monsters' Shrine to ask for help from other apparitions. The other spooks don't believe him, until a pair of fleeing children confirm his story. Now they must wage war against a creature much more powerful than any of them -- and even killing Daimon might not end the battle.
Women with two faces. Kappas. Long-necked goblins. And ghosts with long weedy hair. Most of these aren't familiar to American moviegoers, but anyone who knows about Japanese lore will know why these are all in this movie. And it's loads of fun to see them try to oust the outside that's infringing on their turf.
What makes this movie different from most period flicks is the sense of humor. The various spooks tend to bumble and make mistakes (including getting sucked into an enspelled jar), before finally taking on a hundred-foot-tall Daimon. And the dialogue tends to be kind of wacky, at least (there's a special "Monsters Social Register" book).
Since this movie was made in the 1960s, there are a lot of rubber suits -- Daimon looks like a rubber dinosaur, and a lot of the spooks have papier-mache heads. And I won't get into that one-legged umbrella. But the actors do a good job with odd body language (like the kappa's flailing and crouching), and the humans even get some cool swordfights.
"Yokau Monsters - Spook Warfare" lives up to its name, with plenty of Japanese monsters and goofy antics. A charming cult film.
 Fascinating insight into traditional Japanese superstition and storytelling January 5, 2006
5 out of 5 found this review helpful
These older fantasy Japanese films are terrific, and not necessarily in the ways that most people think. Imagine this scenario--North Pacific natives, with their Shamans and animism and such--find themselves on a large island where inherent limits of growth and scarce resources (and a few other things of course) promote the development of a fairly sophisticated culture with many roots straight into its tribal past. Then it quickly Westernizes within less than a half century and in such a way that it does not ignore its traditions but instead incorporates them. With these myths and legends going right back, untouched, to its early tribal days, by the time it gets around to creating fantasy films they tend to reflect a much different historical consciousness than their Western equivalents. Around 1960 the West produced Jason and the Argonauts and Japan saw these Yokai movies featuring individuals portraying magical nature creatures and wearing costumes strikingly not far removed from those used in rituals in the Northwest Pacific and certainly elsewhere. To approximate this phenomenon, Westerners would have to reference roots going back to before civilization, neolithic almost, largely forgotten history for the mass consciousness. I'd argue that Japan might be the single most astonishing nation on the planet.
Anyway, that's the way to watch and appreciate this film, and the others in the series. Hardly Sid and Marty Kroft territory and not exactly kiddie fare, these Yokai flicks are, in fact, striking studies in cultural anthropology. They also stand alone as beautifully crafted fantasies, rich in visual magic, and a good education in first class fantasy film art direction.
I think a lot of people get disappointed in these movies because they're expecting something camp and cult-y and on that level they just don't deliver. Sadly, since the Seventies or so, a lot of fine Japanese studio product from the Sixties and earlier has been unconscionably lumped in with Z-movies like "Teenagers from Outer Space" or Mexican wrestler flicks. Hip and trendy people looking for cultural goofiness were attracted to them for this reason; this film is even distributed by a company called "Rubbersuit" and that pretty much sums up the attitude. This is unfortunate, and I'd say it's also disrespectful to works that clearly had a lot of talent and imagination poured into them. Many of these Japanese products have excellent acting and first rate costumes (rubber suit aside--even the first "Alien" from that series was a rubber suit and anyway, those things aren't easy to fabricate or make work!). Stick any sci-fi or fantasy film made in the West from 1950 to 1975 (excepting Harryhausen's work which is sui generis, still underappreciated, and deserving of individual study, and any vintage Mario Bava--the man who could make $20 in props look artistic) against these remastered, subtitled, wide-screen Japanese films and you will be shocked. Many of these "camp" Japanese films are, at the least, better looking, more visually coherent, and far more magical. Notice that the Japanese even integrated stock footage more artfully, taking time to even (gasp!) match up the real jet fighter type to its special effects miniature--something even the best American films didn't bother to take time doing. [In an "equivalent" vintage American movie,"The Black Scorpion," (incredibly an O'Brian of King Kong fame flick) a train wreck features a steam locomotive whose tender clearly bears the legend "Lionel Lines"!] All in all, this is excellent entertainment that needs to be appreciated on its own terms. I'm glad to see them available on DVD. Check out similar offerings from Tokyo Shock and Rubbersuit's other films, especially "Daimajin."
Apparition Register November 13, 2005
1 out of 3 found this review helpful
Supernatural samurai morality tale shot in rubbersuitmation. Shows what kind of stuff can happen when blood-drinking daimons get loose.
Rokuro-holy cow! August 9, 2005
0 out of 1 found this review helpful
I definitely loved this movie. There wasn't too much action, because most of these yokai don't have any real offensive magic. And the fight between the Kappa and Daimon around the beginning was just hilarious, albeit a little one-sided. There were a few bad parts, though. The last scene, where the spirits wander off into the mists is a little too reminescent of stuff like Godzilla and is far too drawn out. And my favorite type of Japanese yokai, the rokurokubi (long neck) is barely in it at all, although she does have a few scenes. So, if there's anything better, I'll take it. Until then, this is the best I can get. 4 stars.
|
|
|
