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| ABBA The Movie | 
| Director: Lasse Hallstroem
Actors: Anni-frid Lyngstad, Benny Andersson, Bjoern Ulvaeus, Agnetha Faeltskog, Robert Hughes
Studio: Polydor / Umgd
Category: DVD
List Price: $19.98
Buy New: $10.96
You Save: $9.02 (45%)
Buy New/Used/Collectible from $9.98
Avg. Customer Rating:  (45 reviews)
Sales Rank: 11573
Format: Ac-3, Closed-captioned, Color, Dolby, Dts Surround Sound, Dvd-video, Original Recording Remastered, Restored, Ntsc
Languages: English (Original Language), Swedish (Original Language)
Rating: G (General Audience)
Media: DVD
Running Time: 96 minutes
Number Of Items: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: 000547409
UPC: 602498717035
EAN: 0602498717035
ASIN: B000AYYVME
Release Date: March 28, 2006
Theatrical Release Date: April 28, 2006
Availability: Usually ships in 1-2 business days
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| Customer Reviews: Read 40 more reviews...
 Abba the Movie November 22, 2008
0 out of 1 found this review helpful
The movie was good and fairly entertaining, but it had technical glitches where it would stop and then start again.
 Digging the Dancing Queen (or, Thank You for the Music) November 14, 2008
I watched this DVD at a friend's house. As I entered the living room, ABBA was playing on the big screen home theater and... the kids were watching and dancing like it was a Hanna Montana concert :). It immediately brought back memories of those great late 70's days - was I in high school then? - and us kids watching this very concert movie in a theater and feeling happy and free. It was THAT good. And it still is.
Needless to say, the first thing I did when I got home was to see if a Blu version was available. It was not or, rather not yet. November 25 is still 'the future' at the time I am writing this but the Blu version is already on order, waiting for the release date to ship out. By the way, I would not have hesitated to order the DVD if Blu was not upcoming because the DVD looks flawless too.
Need I say what this is about? Okay, at the height of their glory, ABBA embarked on an Australian tour back in the late 70's. They toured all the big cities down-under and they wowed (is that a verb) everyone. And, while at it, someone made a movie of them wowing (is this REALLY a verb) everyone so that non-Australians could go to theaters and watch them performing in Australia. We get to see concert footage and some backstage takes, a couple of interviews but, at least to me, ABBA is ABBA - the characters on the stage, not the real people with their real problems, so I am happy that most of the movie is showing them performing on stage, not one minute older today than 30 years ago, happy, energetic, strong, harmonious in a loud way and making everyone around happy, then and now.
I just can't wait to watch this, again, in Blu - counting down the days already. And, if anyone is thinking about getting the Mamma Mia! uninspired, tired, morally-dubious, untalented, ridiculous, tasteless cheap imitation - it's actually more expensive - don't bother (see my review).
Fantastic Soundtrack from a Fantastic Movie! October 5, 2008
We just loved this movie so much that we saw it 3 times in the theater. The music is so good we had to buy the soundtrack to hold us over until the movie is released on DVD.
 Silly movie reminesent of The Beatles "Help" September 11, 2008
Interesting videos of ABBA within this lightweight version of "Help"
Not bad when focused on ABBA
Essential Viewing for ABBA Fans July 3, 2008
5 out of 6 found this review helpful
`Abba The Movie' is for Abba-philes only (myself included). This doesn't mean there won't be some reservations for fans as well, but while the movie is carefully constructed, the results are mixed but more favorable than not. The career equivalent of `A Hard Day's Night,' Abba's feature movie splices concert footage, videos, group information with an intermittent story. The result is an unintentional mockumentary before they became invented. Filmed in 1977, the material covers all their work up to 'The Album.'
The Plot: Abbamania comes in full force to Australia where a station manager (Bruce Berry) crustily sends his country music D.J., Ashley Wallace (Robert Hughes) to get a two-hour interview with the Swedish super group before the week is through.
Evaluation: Abba's best suit is in the studio. Ashley interviews one critic who perceptively states the band couldn't create the same song twice because they'd have to take every step they took to make it in the first place. In the studio, they were wonderkinds using the (then) latest equipment. This gives their concerts mixed results, but no one expects this movie to be the greatest concert film in rock history.
Concert highlights: All the participants are warm and enthusiastic. Some of the unheralded songs (read non-smash hits) are great picks and translate well in concert. "Why Did It Have to Be Me?" "I've Been Waiting for You," and "When I Kissed the Teacher" show the band in their finest form. Sometimes voices are substandard in concert, but their vocals, particularly the women's, are just as terrific as on their records. Benny does an outstanding nimble performance of their instrumental "Intermezzo" just like a concert pianist. The dance moves and costumes are thoughtful nuances, making a real show.
Concert midlights: Big hits "Fernando," "S.O.S," "Money, Money, Money," and "Dancing Queen" resonate well enough with a minor complaint that sometimes the latter classic needed slightly more accompaniment.
Concert lowlights: Songs like "He's Your Brother" "So Long," and "Rock Me" demonstrate that when they do a song more slowly live than the original, it's deadly to the concert's spirit. Unfortunately, a few songs probably got their live performances pigeon-holed by the critics.
Videos: A dream sequence has Ashley meeting Abba to the sounds of "The Name of the Game," the studio version which makes more than an above average video. "The Eagle" is flashy and one of the most visually appealing moments.
During Ashley's assignment, his research yields facts about each member:
Anni-Frid: (The brunette) Was born in Norway. "Unassuming," she expresses the most enthusiasm about the tour at a press conference. She's the lead on "Money, Money, Money" et al.
Benny: Seen playing the most instruments, Benny is a virtuoso who looks and acts more like a rock star than any other member. Although sporting a beard, his smile is the broadest. (Perhaps the McCartney of the songwriting duo.) His English is also the best.
Bjorn: "Intelligent" and the most fluent in foreign languages, Bjorn has the money brains, just like their manager. He admits that touring can be "a-social". As much as I like the band, I felt they put too much make up on him. (Perhaps the Lennon of the songwriting duo.)
Agnetha: (The blonde) Besides having a honey voice, she admits that while touring she loses track of what city she's in. (In a later documentary, Agnetha, still a Swedish pop star, admitted she was too petrified to travel to the opening of 'Mamma Mia' in the U.K., and for the same reason, she found touring unbearable.) After strutting her stuff on the stage, one Aussie headline reads, Agnetha's "Bottom Tops Show".
Stig Anderson: The group manager is the "fifth ABBA" (although that would make them ABBAS); he occasionally co-wrote songs with Benny and Bjorn.
Plot Contrivances: First of all, the pop D.J. is sick, so they send country D.J. Ashley instead. (It's a nice way to start the film, though; it looks and sounds like 'Little House on the Prairie' with footage of kangaroos in the Outback. I wondered if I was watching the right film.) Next, to ensure Ashley hits the whole Australian tour, he feebly presents himself to the band and loses his press badge along the way. Add to that the station manager's hit and miss deliveries of a new one. Natually, the handlers keep him at arm's length. Dang it! Why doesn't he just tell them he's from a Sydney radio station, for Pete's sake, instead of pointing his microphone at them and inviting them to lunch! In all fairness, there is suspense to go along with our disgust at the stupid-moves-to-keep-the-plot-going trajectory.
Acting: Robert Hughes is decent and naturally believable as the fumbling Ashley Wallace. Bruce Barry suffers from overbearing character actor syndrome.
Best features: The editing is excellent. The footage of fans, recreating the energy of crowds, the timely way merchandise and images are fused together is marvelous! A brisk stage set up sets the standard. The backwards forwards bit during "I'm a Marionette" is a clever touch, but goes on too long. The cutest scene is listening to ballerina girls sing "Ring, Ring". Yes, it's contrived, like the movie plot, but it still works.
(Look for 'Mamma Mia' sometime this summer. Meryl Streep stars and shows that she has enough Oscars to take only the roles she finds fun or sport her favorite cause. Gosh, I hope the movie is better than the crowd pleasing Broadway smash. I saw an excerpt on 'The Today Show,' and it was horrible: poorly sung and mawkishly presented, but a backhand compliment to the group who made all the music possible.) "Thank You for the Music". Yes, indeed.
(The day after my review posted, Reuters showed a picture of a "rare" reunion where all four members showed up to join Meryl Streep, Pierce Brosnan, and company for the Swedish opening of 'Mamma Mia' the film July 4th.)
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