| The Ring | 
| Director: Gore Verbinski
Actors: Naomi Watts, Martin Henderson, Brian Cox, David Dorfman, Jane Alexander
Studio: Dreamworks Video
Category: DVD
List Price: $12.98
Buy New: $5.35
You Save: $7.63 (59%)
Buy New/Used from $5.35
Avg. Customer Rating:   (1 reviews)
Sales Rank: 116733
Format: Ac-3, Color, Dolby, Dts Surround Sound, Dubbed, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), French (Subtitled), Spanish (Subtitled), French (Dubbed)
Rating: PG-13 (Parental Guidance Suggested)
Media: DVD
Running Time: 115 minutes
Number Of Items: 1
Aspect Ratio: 1.85:1
Shipping Weight (lbs): 0.3
Dimensions (in): 7.7 x 5.4 x 0.8
MPN: 7904319
UPC: 032429043191
EAN: 0032429043191
ASIN: B001AGNMIK
Release Date: September 9, 2008
Theatrical Release Date: 2002
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Amazon.com
The Ring is the critically acclaimed, smash hit thriller David Ansen of Newsweek says "raises some serious goosebumps!" This cinematic thrill ride will keep you on the edge of your seat from the stunning opening to the astonishing conclusion! It begins as just another urban legend - the whispered tale of a nightmarish videotape that causes anyone who watches it to die seven days later. But when four teenagers all meet with mysterious deaths exactly one week after watching just such a tape, investigative reporter Rachel Keller (Naomi Watts) tracks down the video...and watches it. Now, the legend is coming true, the clock is ticking and Rachel has just seven days to unravel the mystery of The Ring.
Amazon.com
With its disturbing images and a few good shocks, The Ring is the kind of frightfest you'll watch to set a chilling mood or spook your susceptible friends, but when you try to sort it out, this well-mounted American remake (of the 1998 Japanese hit Ringu, based on Koji Suzuki's popular novel) becomes a batch of incoherent parts. The negligible plot follows a Seattle reporter (Naomi Watts) as she investigates the death of her niece, the victim of a mysterious videotape that, according to urban legend, causes the viewer's death seven days later. (Fear Dot Com borrowed the same idea while avoiding this film's lofty pretensions.) The countdown structure follows the reporter, her son, and her estranged boyfriend into deepening layers of terror--all quite effective until the movie attempts to explain itself. At that you're better off shutting down your brain and letting the creepy visuals take over. --Jeff Shannon
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| Customer Reviews:
... then you die June 4, 2008
Every horror buff knows -- the horror that creeps up on you gradually is much, much scarier the one who bounces out and yells "boo" as it decapitates somebody with a machete.
And sadly, most current "horror" movies lack horror, because it's easier to substitute it with screaming blondes, blood, guts and sharp objects. But "The Ring" is soaked in foreboding, creepiness and horrific imagery. Director Gore Verbinski relies heavily on the original Japanese movie for a lot of his remake's flavor, and the result is a slow-building terror that keeps twisting right up to the end.
Single mum Rachel (Naomi Watts) is attending her niece's funeral, after she died under bizarre circumstances. Several of her friends died on the exact same day, at the same time, which (surprise surprise) makes Rachel think this isn't a coincidence. So she investigates the mountain cabin all the kids stayed at a week ago, and finds an unlabeled videotape with a series of bizarre images -- and a curse that will kill you one week afterwards.
She enlists the help of her ex-boyfriend Noah (Martin Henderson) to help her unravel and break the curse. The secret of the tape is wrapped up in a young girl, Samara, who vanished from her adoptive parents' horse farm years ago. Somehow Samara's evil rage has lived in on her curse, and it will destroy Rachel, Noah and their son unless Rachel can find a way to escape it.
Remaking Asian horror movies is one of those movie trends that is hanging on in Hollywood, with everything from "The Grudge" to "The Eye" to "Bangkok Dangerous" getting the A-list Hollywood treatment. Some are good, some are mediocre, most are wretched. But "The Ring" was the first of these, adapted from Hideo Nakata's adaptation of Koji Suzuki's novel (cue cries of "but the original was better). And it achieves the distinction of being almost as atmospheric and haunting as the original.
Most of its brilliance comes from director Gore Verbinski, who thankfully did not simply use the name and concept, and invent a teenybopper plot around that. This is actually rather similar to Nakata's adaptation -- Verbinski alters some few things from the original film, but keeps the same dark, murky atmosphere and many of the same scenes. Even the cinematography has a dark, overcast look, filled with forbidding symbolism -- lots of grey skies and overflowing water. It's as if Samara's influence is permeating everything.
And what about the horror? It comes from the building tension as Rachel's deadline creeps toward us, and brief flashes of Samara's influence -- for example, that poor horse going berserk on a ferry, or the blurred-out faces of the doomed. The entire movie is infused with the feeling that something invisible and ghastly is just waiting to attack you, and it's just waiting for the right moment.
The keystone of this movie is Naomi Watts. This talented actress is virtually perfect as the perpetually worried, perplexed Rachel; as the deadline approaches, her fear and grief are almost palpably overwhelming. Henderson is also good, whether as a flip carefree artist or as a caring ex-boyfriend. Dorfman is the one disappointment -- he seems less like a little boy than a pompous oracle, and he's almost creepier than Samara.
Which is saying something, because Daveigh Chase is utterly chilling as Samara Morgan, a creepy little devil-child with black weedy hair over her face, a white nightgown and "Omen" eyes. In keeping with the watery theme of the movie, she always seems vaguely damp.
"The Ring" is one of those rarest kinds of movies -- a remake with its own flavour, even as it sticks to the original story. Excellent direction, great acting, and the haunting determination to never, ever watch an unlabeled movie again.
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