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| Stand-In | 
| Director: Tay Garnett
Actors: Leslie Howard, Joan Blondell, Humphrey Bogart, Alan Mowbray, Marla Shelton
Studio: Image Entertainment
Category: DVD
Buy New: $34.98
Buy New/Used from $33.70
Avg. Customer Rating:  (6 reviews)
Sales Rank: 74819
Format: Black & White, Dvd-video, Full Screen, Ntsc
Language: English (Original Language)
Rating: NR (Not Rated)
Media: DVD
Running Time: 91 minutes
Number Of Items: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.1 x 0.6
MPN: D1921D
UPC: 014381192124
EAN: 0014381192124
ASIN: B00007ELDZ
Release Date: January 28, 2003
Theatrical Release Date: October 29, 1937
Availability: Usually ships in 1-2 business days
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Description
Stuffy, bookish Atterbury Dodd (Leslie Howard) goes from Wall Street's balance sheets to Hollywood's scandal sheets in this rollicking look at Tinseltown's heyday! Sent to take over the reins of floundering Colossal Studios, Dodd finds the film community eyeing him with thinly-veiled amusement. Uncovering a conspiracy to scuttle the studio, he enlists the aid of an unlikely pair of allies: cynical, gin-soaked, and big-hearted producer Douglas Quintain ("Casablanca's" Humphrey Bogart) and Lester Plum ("Grease's" Joan Blondell), the sexy stand-in for an incredibly untalented screen siren!
Amazon.com
Humphrey Bogart takes a rare stab at comedy in the show-biz screwball comedy Stand-In. But though Bogart demonstrates his effortless star power, Leslie Howard (best known as Ashley Wilkes in Gone with the Wind) turns in a marvelous comic performance as a finicky mathematical whiz named Atterbury Dodd, who's sent by a bank to decide whether a Hollywood studio should be salvaged or shut down. Assaulted by social parasites and stage mothers upon his arrival in Tinseltown, Dodd must take refuge in a flophouse filled with has-beens, never-weres, and a trained seal--among them a former child star (Joan Blondell) whose only job now is as a stand-in for an overrated glamour queen. Between Blondell and Bogart (playing a bitter producer), Dodd gets some lessons in show-biz economics. The movie's ending is dopey, but it's a lot of fun along the way. --Bret Fetzer
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| Customer Reviews: Read 1 more reviews...
 First Rate Comedy July 16, 2007
1 out of 1 found this review helpful
This is a genuinely delightful comedy of the Thirties, starring Joan Blondell and Leslie Howard. She plays the role of the emotionally caring woman and compassionate union wage-worker while he plays the role of an intellectual accountant who has lost touch with his emotional self and views life strictly mathematically and like a capitalistic.
The script was written by Charles Budington Kelland, who, in his own day, was as famous as Harlan Ellison is today, and it's a treat just to have some of his work represented in the form of a DVD. In a piece of this film, Joan Blondell's character mentions Shirley Temple more than a few times during the course of events, but Leslie Howard's character has no idea who this box-office (Millionaire) smash child star is, so cooped up is he with his accounting books behind corporate doors. There is one amazingly funny scene where scrawny Leslie Howard flips zoftic Joan Blondell over his shoulder and flat on her back on the floor, so pleased is he with himself for having learned the trick she taught him to do!
There used to be a time when movies like this would be aired on Sunday morning or early afternoon tv -- for free, for the delight of children and/or the whole family. This is the kind of movie one would have found then. If you want that experience, get this DVD. It's completely enjoyable, and you come away with a good feeling in your heart from having been genuinely entertained all the way to the end.
 Amusing satire which could have done with sharper scripting and firmer control but is pleasantly remembered... January 14, 2007
0 out of 2 found this review helpful
"Stand-In" gave Bogart his first real chance to play comedy as it matched him once again with Leslie Howard, "The Petrified Forest" co-star, in a gentle and moderate tale of an efficiency expert (Howard) who is sent to Hollywood to save a stumbling studio from potential ruin...
Howard is appropriately stuffy as he enlisted the aid of former child star Joan Blondell to teach him the more practical side of movie-making...
Bogart drew his share of laughs... He plays a producer-editor who had taken to the bottle after an unsuccessful romance with one of the studio's stars, but moves to action when Howard uses him to rescue a movie "bomb" and turn it into a success big enough to save the studio...
An Amusing Romantic Comedy With Some Sharp Elbows Aimed At Hollywood; Leslie Howard, Joan Blondell, Humphrey Bogart April 30, 2006
4 out of 4 found this review helpful
Atterbury Dodd, a careful accountant from New York, has just spent some time trying to find out what exactly is going on at Colossal Film Studios. "Hasn't anyone an answer for stupidity besides 'that's the picture business'?" he asks. Says a studio worker standing next to him, "Sorry, Mr. Dodd, but that's the only answer."
Stand-In is a good-natured ribbing at the making of movies. It takes some sharp-elbowed hits at budget manipulation, sycophancy, techniques to run up costs, untalented stars, inflated egos, the differences between what labor and management are paid and unscrupulous business dealings. I wonder how the movie was ever permitted to be released, much less made.
Dodd (Leslie Howard) is a precise genius with numbers who realizes that when his bank decides to sell it's interests in Colossal, it will be accepting a low-ball offer. He stands his ground to the bank's chair, and is sent to Hollywood to take over the studio, find out the real worth...or be fired if he's wrong. Dodd's journey to prove he is right, and to become a man who can laugh and fall in love, has just begun. He meets Lester Plum (Joan Blondell), a funny, attractive and poorly paid former child star who now works as a stand-in at Colossal. He meets Tom Potts (Jack Carson), the loud-mouth studio PR man, who is always ready with a braying laugh, an expense account charged to Colossal and a girl. He meets Doug Quentain (Humphrey Bogart), a producer and former drunk, who is suspicious that a flop-in-the-making, Sex and Satan, is deliberately running up expenses. He wants the production closed down. Oh, the people Dodd meets...egoist directors, manipulative business associates, no-talent leading ladies. And through it all, Atterbury Dodd with his quizzical sincerity, his logic, his lists and his naivety, tries to make sense of things. He comes to realize that workers aren't just units, that studios should make good films, that Douglas Quentain is a true friend...and that Miss Plum has very nice legs. In fact, at the end of the movie, we see that the final point on Dodd's list of to-do items in his notebook is "Propose to Miss Plum."
Stand-In is an insider's look at movie-making machinations. It's handled as an amusing exploration from the point of view of a likable and naive outsider. It's a romantic comedy, but with some sharp edges for Hollywood. Leslie Howard, always the intellectual leading man, proves once again how successful he was in convincing women he was a romantic lead in need of protecting and cuddling. Joan Blondell is, as usual, funny, a little acerbic and a little tender. Humphrey Bogart with this movie showed emphatically that he could carry a romantic role as well as handle comedy. It must have been frustrating to immediately be sent back to playing second-fiddle hoods to Jimmy Cagney and Edward G. Robinson. It would be four years and 17 movies before he was able to establish his own star persona.
The DVD presentation is much better than average. There are no extras.
 Funny engaging Comedy July 22, 2004
9 out of 10 found this review helpful
This picture was really a very fine surprise for me, because the starring couple: Leslie Howard and Joan Blondell, have a great "chemistry" goin' on there...Who would have thought that!; The english gentleman per-se and the fast-talking-american dame, ignite fireworks as a romantic team! What a pleasant surprise!
Leslie Howard plays the representative of a Bank who is sent to take charge of a Hollywood studio, to prevent it from being sold for less than it is worth (to an unscrupulous tycoon, impersonated by C. Henry Gordon), there he meets by chance, wisecracking and experienced Stand-In, Joan Blondell, ex-child star (a "has-been"). Howard's very good at numbers, financial figures, etc. but is a complete disaster to face "the real facts of life"...there comes Blondell, to "open his eyes".
Fine acting by Humphrey Bogart as a tough producer in love with a phony star (Marla Shelton). Alan Mowbray is great as another phony, a "temperamental" european director and Jack Carson is usually right as a fast-talking wise-guy.
An unknown gem, that made me laugh a lot, 'cos Leslie Howard is really very good at comedy and makes (oddly enough) an excellent match with Ms. Blondell. Fine Comedy.
Very funny situations and swiftly paced. Completely recommended viewing, for old movie fans and film-buffs in general.
Hilarious look at Hollywood November 28, 2003
8 out of 8 found this review helpful
Leslie Howard is a mathematician sent to run a failing film comapny to see if it is worth saving. Utterly bemused by Hollywood, he is helped by a former child star who is now a long-suffering stand-in (Joan Blondell) and tough director Humphrey Bogart. Howard is absolutely hilarious as the naive intellectual grappling with the mysteries of the motion picture industry, and Blondell and Bogart are wonderful too. Howard finds refuge in the boarding house where Blondell stays, and finds himself among a motley crowd of aspiring actors, who include a trained seal and a penguin. As Howard struggles to understand this alien world he comes to be fond of it (and of course fond of Joan Blondell too), and the film builds to a rousing finale when the put-upon workers, stirred up by Howard, rebel against the closure of the company. A wonderful film, Howard was never better, what a wonderful actor he was. If you've only ever seen him as the rather dull Ashely Wilkes in Gone With the Wind, you really should see him in this.
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