| London Calling | 
| Artist: The Clash
Label: Sony
Category: Music
List Price: $11.98
Buy New: $4.39
You Save: $7.59 (63%)
Buy New/Used/Collectible from $4.39
Avg. Customer Rating:   (446 reviews)
Sales Rank: 539
Format: Original Recording Reissued, Original Recording Remastered
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 63885
UPC: 746463885258
EAN: 0074646388525
ASIN: B00004BZ0N
Release Date: January 25, 2000
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | London Calling | | • | Brand New Cadillac - The Clash, Taylor, Vince [2] | | • | Jimmy Jazz | | • | Hateful | | • | Rudie Can't Fail - The Clash, Strummer, Joe | | • | Spanish Bombs - The Clash, Strummer, Joe | | • | The Right Profile | | • | Lost in the Supermarket | | • | Clampdown - The Clash, Strummer, Joe | | • | The Guns of Brixton - The Clash, Simonon, Paul | | • | Wrong 'Em Boyo | | • | Death or Glory | | • | Koka Kola | | • | The Card Cheat - The Clash, Clash | | • | Lover's Rock | | • | Four Horsemen | | • | I'm Not Down | | • | Revolution Rock | | • | Train in Vain - The Clash, Strummer, Joe |
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| Editorial Reviews:
Album Description
Digitally remastered from the original production master tapes, this a reissue of the 1979 & third album by 'the only band that matters'. Features the original artwork and all 19 of the original tracks, including the hidden hit 'Train In Vain (Stand By Me)', their first U.S. single to chart (it reached #23 at the time). Also contains reproductions of the original LP sleeves, including the lyrics. 1999 release.
Amazon.com essential recording
Bursting at the seams with creative energy, the Clash's stunning 1979 double album more than made up for the artistic and commercial disappointment of its predecessor, 1978's tried-too-hard Give 'Em Enough Rope. With ex-Mott the Hoople producer Guy Stevens harnessing their sound as never before, the band yielded what proved to be the best work of their career. Bouncing from hard rock (the apocalyptic vision of the title track) to rockabilly ("Brand New Cadillac") to reggae ("Rudy Can't Fail") to pop (the Top 40 hit "Train in Vain"), the Clash knocked down all musical walls and, in the process, ended the argument over punk's viability in the U.S. --Billy Altman
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| Customer Reviews: Read 441 more reviews...
 Great detox album! January 6, 2009
This album is provoking, intimidating, and catchy. I really was apprehensive about buying a punk album, but when I first played the record, I was immediately hooked. If you're suffering from bouts of hysteria stemming from listening to too much emo and "punk" rock (AFI, Green Day, Offspring, Blink 182), play this record every day alone or in front of your friends as loud as you can to cleanse your palette.
 Stop answering the phone December 21, 2008
Innovative punk fusion at its finest, filled with minor transcendence, spectacular diversity, and renegade heart. Play this for solace when any overly-hyped UK buzz band hangs incessantly over your ears.
Everyone is right. August 29, 2008
1 out of 1 found this review helpful
Buying this album was one of the best decisions I've ever made in my life. For the money, I've never had anything blow my mind quite like this album. It's obvious. Buy it now.
The all time punk "classic" August 18, 2008
London Calling should be in any music lovers collection. I hesitate to call it classic because it is so fresh after 20+ years that is seems inappropriate to tag it that way. Much the way that Sgt Pepper or Nevermind feels unique and current no matter when you encounter it 1970, 1994 or 2008
Perfection in the punk genre and beyond July 20, 2008
The song "London Calling" touched a nerve at the start of the 1980s. Like the Young Ones, 2000AD, and the impact of new wave was being felt. The haze of the seventies was gone. A new dawn of nihilism was upon us (attack commercial greed - Koka Kola) people were scared and we were taught in schools of nuclear holocausts (London Calling) but the beauty and naivety still remains in songs such as "Train in Vain". As strong as The Stones Exile on Main St (the great double album of several years earlier) but preaching to an audience who would rather die than associate themselves with such a 60s / 70s iconic group. This was the music of our generation and we embraced it will both arms. Nothing would be the same again, and The Clash had moved New Wave to the next step, a kind of wary respectability.
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