| Martha Argerich Plays Schumann Piano Concerto in A minor / Liszt Funerailles / Ravel Jeux d'Eau | 
| Actor: Martha Argerich
Studio: Video Artists Int'l
Category: DVD
List Price: $29.95
Buy New: $20.41
You Save: $9.54 (32%)
Buy New/Used from $17.00
Avg. Customer Rating:   (9 reviews)
Sales Rank: 77364
Format: Classical, Color, Dvd-video, Ntsc
Language: English (Original Language)
Rating: NR (Not Rated)
Media: DVD
Running Time: 47 minutes
Number Of Items: 1
Discs: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: 4210
UPC: 089948421092
EAN: 0089948421092
ASIN: B00005R5G7
Release Date: October 9, 2001
Theatrical Release Date: 1977
Availability: Usually ships in 1-2 business days
|
| Similar Items:
|
| Editorial Reviews:
Amazon.com
There is not much video documentation of the great pianist Martha Argerich in her prime, so it is fortunate that this program, taped for Canadian television in 1977, gives a three-dimensional view of her various strengths. Ravel's Jeux d'Eau, which translates a fountain's flow and glitter into piano music, exemplifies the quality that most people notice first in her playing: dexterity and precision at breathtaking speeds. But there is also a fine awareness of the music's descriptive power. Liszt's moody Les Funerailles, in contrast, requires the ability to hold the music together as a coherent structure at very slow speeds, evoking a carefully defined atmosphere. This, too, she does splendidly. But the heart of the program is Schumann's Concerto in A Minor, one of the 19th century's greatest works in that form, rich in virtuoso display and heart-on-sleeve emotion and requiring fine rapport between soloist and orchestra. This disc fulfills all the music's potentials. --Joe McLellan
|
| Customer Reviews: Read 4 more reviews...
 Martha Argerich performance on DVD January 1, 2008
1 out of 1 found this review helpful
For a 1976 appearance on Radio Canada, Martha Argerich made a rare video recording of herself playing a concerto, in this case the Schumann A minor, op. 54. For the year this recording was made the sound is very good and the director keeps the camera mostly on Argerich's hands, as if we were standing over her right shoulder. Argerich plays the famous dotted rhythms of the opening bars like percussive jabs at the keyboard, with martial, clipped articulation and flawless accuracy. Her attack is ultra sharp with reinforced thumb stabs of her large hands. The cadenza at the end of the first movement veers between tender rapture and heart pounding virtuosity. The tempo she takes of the fast movements are superhuman.
The rest of this recital is devoted to two big solo pieces, both of them in remarkable performances. Liszt's Funerailles is one of my favorite pieces, but it is a work that is rarely performed in concert. It has a rather enigmatic and dissonant opening section. You can see that percussive touch in the work that is suppose to represent the death bell being rung. Argerich's hands are strong and fairly large. At one point she plays an octave with her thumb and third/fourth finger together instead of her pinkie, and it's not much of a stretch. In the return to the fast section the bass starts to rumble in a repeated pattern. When it speeds up, that turns into repeated octaves and Argerich's left hand moves so quickly that it's literally a blur. You have to see it to believe it. This wonderful DVD ends with an evocative performance of Ravel's Jeux d eau which is my favorite Ravel piece. The sounds are all impeccably aquatic, like fountains of crashing and silvery water, showing Argerich's more sensitive side to her playing. The voicing in that crossed hands coda blows my mind every time I watch it, and the expression that passes over Argerich's face for about one second at the end. I always wonder, is it relief? satisfaction? pride? bliss?, but it is a rare, unguarded moment.
Stunning Pianism October 14, 2005
12 out of 12 found this review helpful
The audio quality of this DVD, while not the best, is adequate, and is more than compensated by the rare opportunity of witnessing Argerich on the keyboard when she was young (this is a performance from the 1970s). Schumann's Piano Concerto is a standard piece in the repertory, and Argerich's rendition is sumptuous and satisfying. For me, however, the two solo pieces are the truly revelation.
The camera person gets an A for capturing the chameleonic changes of Argerich's hands on the keyboard. She makes it look so easy! Piano students everywhere should watch the way she effortlessly plows through the Ravel and Liszt. There is no tension anywhere in the playing apparatus--the suppleness of her wrist movements, the ease with which she uses her arms. Look at the way she effortlessly negotiates the two hands crowding in the same register in Jeux d'Eau. Spellbinding!
A unique, must-have item for any Martha Argerich fan October 16, 2003
32 out of 34 found this review helpful
Yes, this DVD is just a copy of the original video. No, it's not in Dolby 5.1. Yes, there is some hiss and the sound quality is about right for 1977. No, it hasn't been "cleaned up" or restored (as far as I can tell) and no, there aren't any of the "extras" that we have all become accustomed to on DVD.Five minutes into watching this, you won't care. There are musicians. Then there are great musicians. And every so often in human history, someone comes along who seems to have a line into the mystery and majesty of the universe as expressed through music. Martha Argerich has (many) moments in this performance where she seems to be animated by the conductor of heaven's own choir, where it seems as if she has ceased to exist as a human being, and is simply a direct conduit for the divine. Any fan of great classical music will enjoy this DVD. One kind of fan in particular, however, will find it compelling to the point of near-hypnosis. If you have spent twenty or thirty years battling with the piano, struggling with your own limits as a pianist, trying to come to grips with the subtlety of Schumann, the intricacy of Bach or the majesty of Beethoven, this DVD will both inspire you, and drive you to despair. The average pianist is like someone who, over decades, has constructed a home-built airplane. They sit down at the keyboard, spin the propeller, and the whole contraption lurches into the air and moves about the sky with more or less grace depending on what kind of day the pianist is having. The return to earth is always something of a relief, and if the little plane is still in one piece, the pianist counts the flight a success. Now imagine the little plane has been tucked away in the hangar, and the pilot is walking home in the last rays of evening twilight. A motion catches his eye, and he stops to watch the woodland birds flying in, out, above and below the trees. They dart, flit and zoom in the still evening air, landing on branches or missing them by a hairsbreadth, chasing and catching bugs in mid-air, turning and diving and folding and spreading their wings so quickly the mind almost can't follow them. Theirs is a mastery of flight beyond all effort, beyond all conscious thought, into a place where movement and motion become one with the divine perfection that continually eludes (almost) all of us all our lives. Martha Argerich is one of those woodland birds; if you want to see her fly, this DVD is a perfect place to start.
One of the Best Martha Argerich Performances July 13, 2003
9 out of 9 found this review helpful
I have just watched the same Schumann Concerto conducted by Bernstein with Vienna Philharmonic and the pianist was impressing. The pianist's name spells Justus Frantz who played with so with so much grace. But his name doesn't ring a bell! I ran a search and discovered that he had only recorded some four hands piano pieces with Eschenbach.And then only a couple of days later I go back to Martha's Schumann Concerto. The Canadian orchestra was no match for Berlin Philharmonic. Even the recording is inferior. But here you see every justification of Arrau's assessment on Martha Argerich that she is one of the two younger pianists, along with Barenboim, that he had ear for. She is dramatic and she builds up tension from an almost stoic start to a most powerful climax and by a variety of colours. She was even more expressive than Justus Frantz. Her Lizst has the same effect, the same contrast, and the same tension which is rather exciting. I even like her Liszt better than her Schumann. Yes, we have some ( a little only ) close-ups if the pianist but they provide good clues to what sort of mood or what sort of picture she was going to paint. It was not excessive by whatever standard, neither were her bodiy movements. All along, particularly the last two pieces, we have a lot of her hands. Again, it's very unique. Martha was wearing short sleeves we can see the whole of her hands. First, she has rather stiff wrists as opposed to what Arrau (or even Leschetisky) professed. Sometimes, for better effects, she would play with the fleshy part of her fingers with her hand(s) flat; for a particular effect, she would bend her wrist sideways so much; and for a fifth finger fortissimo, she would use the outside of her small finger instead of the finger tip! With her Jeux d'eau, while my memory of Richter's playing is still vivid, I must say Martha's colour and her delicate touch were almost as good as Richter. I am not a great fan of Martha, as she is not always consistent and her style doesn't cover a great deal of the whole piano repertoire. Despite it's shortness (only 47 min. ) and that it's not of the best 1977 production quality, in view of the scarcity of her footage and in view of her wonderful performance here and the excellent depiction of her hands, it deserves a 5 stars.
 ou la technique est indigente March 6, 2003
4 out of 11 found this review helpful
tres belle prestation de Martha Argerich malheureusement gachee par une technique de prises de vue indigente et surtout une prise de son de mediocre qualite que ne sauraient excuser une prise televisuelle pour une emission en direct de Radio Canada, ni meme la date de production 1977. Mieux vaut ecouter son enregistrement sur CD avec Harnoncourt, en fermant les yeux : le film n'en sera que meilleur!
|
|
|
