| Bizet - Carmen / Levine, Baltsa, Carreras, Metropolitan Opera | 
| Director: Brian Large
Actors: Agnes Baltsa, Jose Carreras, Samuel Ramey, Leona Mitchell, Myra Merritt
Studio: Deutsche Grammophon
Category: DVD
List Price: $29.98
Buy New: $18.36
You Save: $11.62 (39%)
Buy New/Used from $18.36
Avg. Customer Rating:   (19 reviews)
Sales Rank: 13156
Format: Classical, Color, Dvd-video, Full Screen, Ntsc
Languages: English (Original Language), English (Subtitled), German (Subtitled), French (Subtitled), Chinese (Subtitled)
Rating: NR (Not Rated)
Media: DVD
Running Time: 172 minutes
Number Of Items: 1
Discs: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.4
Dimensions (in): 7.4 x 5.4 x 0.6
MPN: 73000
UPC: 044007300091
EAN: 0044007300091
ASIN: B000050X2Y
Release Date: December 12, 2000
Theatrical Release Date: April 1, 1987
Availability: Usually ships in 1-2 business days
|
| Similar Items:
| • | Verdi - Aida / Levine, Domingo, Millo, Metropolitan Opera | | • | Puccini - La Boheme / Pavarotti, Scotto, Niska, Wixell, Plishka, Levine, Metropolitan Opera | | • | Puccini - Turandot / Franco Zeffirelli - Marton, Domingo, Mitchell, Plishka, Cuenod - James Levine, MET (1988) | | • | Verdi - Rigoletto / Luciano Pavarotti, Ingvar Wixell, Edita Gruberova, Victoria Vergara, Ferruccio Furlanetto, Riccardo Chailly | | • | Verdi - Otello / Domingo, Fleming, Morris, Croft, Levine, Moshinsky, Metropolitan Opera |
|
| Customer Reviews: Read 14 more reviews...
 "Carmen" the Opera April 8, 2008
1 out of 1 found this review helpful
For ages I have been familiar with this opera, and once upon a time designed costumes for it, too. This version was somewhat different, but very good. The settings didn't always appear as though it was the cigarette factory or the cafe of Lilas Pastias, but the acting was good and the singing excellent. Not a recent production, it still shows how good Jose Carreras is. Unfortunately Samuel Ramey didn't seem as convincing as Escamillo as he could have. Though a smaller role, it is nevertheless very important to the story.
The music of deutsche grammophon has always been well known and looked for and overall it is hard to fault the Metropolitan and these performers. James Levine leads the ever fabulous orchestra as well. I give it at least 4 stars.
The star 'Jose' April 18, 2007
11 out of 11 found this review helpful
This MET production in 1987 is in many ways illustrious: two top opera stars in the lead roles, big staging and festive choruses plus good dancers.
Agnes Baltsa shined vocally here, but really, Carmen is a bit of a stretch for her in 1987 visually.
I have heard Samuel Ramey elsewhere, and must say that his Escamillo is somewhat mediocre in this production. His two big arias lacked charisma, especially when you have Jose Carreras as Don Jose. It would be difficult to convince the audience that this toreador is the man that Carmen would prefer over Don Jose!
Jose Carreras is in his absolute prime here - big arias sweetly sung, physically convincing, ardent in acting (he is not consistently passionate elsewhere). Most of all, he has the right characterisation for this weak-minded Don Jose. Rather than ranking him behind Domingo in this role, I would rather opt Carreras as the best Don Jose of his era.
 Excellent Voices... BUT February 8, 2007
14 out of 20 found this review helpful
If you are looking for a version with excellent voices, this is it!!!
If you are looking for a great "theatrical" production, this is it!!!
BUT I must say that I found a terrible issue in this version: Carmen (Baltsa) and Escamillo (Ramey) were not Carmen and Escamillo.
CARMEN, as far as I understand these character... she must be sensual, sexy, seductive, graceful, not rigid but loose while dancing, surrounding with its charisma, mysterious and at the same time cold, jealous and interested. Carmen must astonish like a gypsy. Baltsa was never Sensual nor graceful. Yes, she has an EXTRAORDINARY volcal interpretation... and musically is just perfect... that's Puccinis and the actual conductor work. But I never saw Carmen. You must fall in love with Carmen even though you know that that love is going to take you to the perdition. She must HYPNOTIZE us... but Baltza couldn't do it.... it's a shame. I saw a Carmen so rigid and so plain... that even though she sings excellent... I missed Carmen.
ESCAMILLO, Oh my God!!!... the male version of these Carmen. Where is that charming "Toreador"?... he never showed up. ESCAMILLO must be charming, elegant and seductive. Ramey was just somene there singing with no Toreador feeling.
DON JOSE and MICHAELLA... Oh Yes!... great performances, great voices,great actor skills, great feelings of their character. Excellent Excellent Excellent!!!
Musically, these version of Carmen is GREAT... but... "Where is Carmen and Escamillo"?...
 Carreras shines in "Carmen" March 14, 2006
14 out of 14 found this review helpful
If you are relatively new to opera as I am, Baltsa's performance of Carmen may have to grow on you - as it did on me - but you'll have no trouble admiring and appreciating Carreras' Don Jose character right away. (The role is one of his specialties.) Back to Baltsa: You'll have to get over her physical apperance -Carmen is supposed to be 17!- as a temptress
and then you will enjoy her portrayal. Magnificent voice!
Samuel Ramey is dripping with confidence as Escamillo, the bullfighter, and his voice is really nice.
Leona Mitchell's voice is less than perfect in this live performance, but it is a voice I would be greatful to own.
She is a sweet Micaela, (The girl who loves Don Jose) and is rather convincing in her big aria in act 3.
There is a wonderful supporting cast, although some of the older women in the Met chorus will gross you out in their 'cigarette-girl' costumes in Act 1!
And now what the Carreras fans are waiting for: How was Carreras in this performance? It would take an entire book of positive adjectives to describe his stellar, passionate performance. Here you will find a great artist -in real life on the brink of being diagnosed with leukemia- singing his heart and soul out with fire, urgency, and love. He puts everything into this role and the audience -you & I- are richly rewarded!
Conclusion: Don't miss this one!!!
Carreras and Baltsa are stealing the show September 16, 2005
17 out of 18 found this review helpful
At first I have to say that a lot of operas often happen to have a wonderful tenor and a really bad soprano or vice versa. This is absolutely not the case here. Both mezzo soprano Agnes Baltsa and tenor Jose Carreras are doing a brilliant job with both their singing and acting. I think they both have a stage presence that very few can beat. Agnes Baltsa possesses a crystal clear voice, but she can also belt if that's what it takes to make the final outcome more believable. Jose Carreras' voice contains so much beauty; it's full of emotions, sensual and with that irresistible hint of honey. Like Baltsa he can also sacrifize beauty to enhance his performance.
Agnes Baltsa is just so sensual as Carmen it's no wonder Don Jose is powerless against her. I love the scene in first act where they spot each other for the first time and Don Jose is trying his best not to show any interest in Carmen who is surrounded by a crowd of eager men, but still we see him watching her out of the corner of his eye and Carmen is putting on a display trying to attract his attention. The way she's taking the rose from down her cleavage and throwing it on Don Jose is most seductive. And he's obviously overwhelmed by this woman so full of sex-appeal. The sweet and innocent Michaela doesn't stand a chance compared to the wild and seductive Carmen. Baltsa's singing is beautiful; it's filled with her usual energy and involvement and I just love her version of "pres de ramparts de Seville". And in "non, tu ne m'aime pas" she's so persuasive that it's no wonder Jose almost is giving in to her pleas about him leaving the army. She is undoubtedly my favourite Carmen.
Jose Carreras is perfect as Don Jose. Some reviewers have claimed that his acting is a bit wooden, but I disagree. He's playing a naive and shy, young man falling in love for the first time and by the way, he's also a soldier and they hardly go dancing all around the place. Like always Carreras is pouring his heart and soul into his singing. Even if this performance was very close to his leukaemia treatment I think he sounds wonderful. Just listen to the "flower aria" that's sung with such emotion and ends up like a gentle love song. (And I would have sacrificed a lot to be Carmen, having Don Jose Carreras looking at me the way he did that moment...) He's also outstanding in the final act where Don Jose ends up killing Carmen. They both are, actually. Don Jose is at first trying his best to persuade her into coming back to him, because he's still in love with her. And his rage at the end is very understandable, because I think we all can identify with him when he realizes that he has ruined his life because of her and in the end she refuses him. His cry (Ma Carmen, adoree) after having killed Carmen makes my hair stand on end. It comes from the very deepest of his soul. During curtain call you will see Carreras completely drained of emotion. And I feel almost the same after having watched this version of Carmen. The final 10-15 minutes of this opera are worth the price of the dvd alone.
Leona Mitchell is a very sweet, but slightly nervous Michaela. Escamillo is portrayed by a brash Samuel Ramey. He has a rich, dark voice and his singing is very good. But even so, if I was Carmen I would stick to Don Jose. The rest of the supporting cast are excellent and they all make this version of Carmen very enjoyable. If you like me, happen to like Baltsa and Carreras I wouldn't hesitate buying the dvd.
|
|
|
