| Bizet - Carmen | 
| Director: Herbert Von Karajan Actors: Grace Bumbry, Jon Vickers, Justino Diaz, Mirella Freni, Olivera Miljakovic Studio: Deutsche Grammophon Category: DVD
List Price: $29.98 Buy New: $18.36 You Save: $11.62 (39%)
Buy New/Used/Collectible from $11.01
Avg. Customer Rating:   (10 reviews) Sales Rank: 18324
Format: Classical, Color, Dts Surround Sound, Ntsc, Subtitled Languages: French (Original Language), English (Original Language), German (Original Language), Spanish (Original Language), Mandarin Chinese (Original Language), English (Subtitled), Spanish (Subtitled), German (Subtitled), French (Subtitled) Rating: NR (Not Rated) Media: DVD Running Time: 163 minutes Number Of Items: 1 Discs: 1 Aspect Ratio: 1.33:1 Shipping Weight (lbs): 0.2 Dimensions (in): 7.1 x 5.4 x 0.6
MPN: 000435209 UPC: 044007340325 EAN: 0044007340325 ASIN: B0007P0LN4
Release Date: June 14, 2005 Theatrical Release Date: 1967 Availability: Usually ships in 1-2 business days
|
| Similar Items:
| | Verdi - Aida / Levine, Domingo, Millo, Metropolitan Opera | | | Puccini - La Boheme / Pavarotti, Scotto, Niska, Wixell, Plishka, Levine, Metropolitan Opera | | | Verdi - Rigoletto / Luciano Pavarotti, Ingvar Wixell, Edita Gruberova, Victoria Vergara, Ferruccio Furlanetto, Riccardo Chailly | | | Puccini - Turandot / Franco Zeffirelli - Marton, Domingo, Mitchell, Plishka, Cuenod - James Levine, MET (1988) | | | Mozart - Le Nozze di Figaro (The Marriage of Figaro) |
|
| Editorial Reviews:
Amazon.com Bizet's tale of the fiery gypsy and her naive, ultimately murderous lover, is an operatic staple but few versions boast such well-acted, brilliantly sung leading roles. Grace Bumbry's Carmen is a beautiful, witty temptress, amused at the deliriums she induces. Bumbry's facial expressions and body movements help create a nuanced character, and her singing is compelling, especially effective in the big moments; the Habanera done with languorous flirtatiousness, the Seguedilla entrancing. One of opera's greatest singing actors, Vickers portrays the unworldly soldier of Act One before morphing into the tortured hero torn between love and duty of Act Two and finally, the insane outlaw of the finale. He and Bumbry strike sparks in the tavern scene and his "Flower" aria is the vocal and emotional highlight, begun in a throaty half-voice and building into an overwhelmingly intense cri de coeur. Mirelli Freni's Micaela, the village girl Don Jose abandons for Carmen, acts and sings her arias with vocal beauty and charm to burn. Justino Diaz is a straightforward Escamillo in a part that wants more flair and self-centered smugness. Smaller roles are adequately done. Herbert Von Karajan directed and conducts. He's seen during the Prelude and the entr'actes in his closed-eyes mode of conducting. This Munich-made film is based on 1967 Salzburg Festival performances. It's without obvious lip-synch problems, but busy camera work indulges in many meaningless close-ups, including a shoe-top view of von Karajan's hands. Not as cohesive as Kleiber's DVD or Levine's MET production, but a must-have for Bumbry and Vickers. --Dan Davis
|
| Customer Reviews: Read 5 more reviews...
  A GREAT CARMEN June 11, 2008 I have heard Carmen sung by many mezzos (and sopranos), but I've never heard it sung as well as Grace Bumbry did in this movie. The singing is as close to flawless as I've ever heard. Bumbry surely must have thinned down for this part because her waistline is wasplike. She looks fabulous and struts about in several wonderful outfits. Jon Vickers is not one of my favorite singers, but he looked and acted the part well and, amazingly, sang it well too. He sang the Flower Song almost entirely mezza voce, with a gorgeous pianissimo ending. Justino Diaz was the youngest Escamillo I've ever seen, very realistic, and he did a fine job. Mirella Frena was a beautiful Micaela, and how beautifully she sang! Except for what is usually the mountain scene, the scenery was all very realistic and more than adequate. The costumes were colorful and delightful. One of the other reviewers complained about the polka dots--they did not bother me at all. And the cinematography was better than you would have expected for 1967. Von Karajan did his usual magnificent job with the orchestra. He took some of the song tempos quite slowly, milking out the sensuality. I loved it! I watched this with a friend, and we both agreed that, vocally at least, it surpassed the CARMEN with Placido Domingo and Julia Migenes Johnson. Anyone who is a fan of great singing would be making a serious mistake by passing up this treasure....
  A triumph of perfectionism February 29, 2008 Aside from the lip-synch essential to accomplishing this magnificent cinematic endeavor, these artists' collective work represents a triumph of perfectionism. Inasmuch as the positive reviews here say it all, I can do no more than quote one reviewer: "This is a fine production and we will never again see the likes of it."
  Buy a CD and skip this cartoon. . . May 7, 2006 5 out of 16 found this review helpful
I am seldom ANGRY over a DVD purchase. The artistic forces here would have seemed to portend greatness. Instead, we get a cartoon Carmen, with Bumbry et al in ghastly 60's hair-dos, and Vickers in a wig. Meaningless close ups of chorus members in THEIR awful wigs, and Mercedes and Frasquita in polka dots. Bumbry shows up in Act II in some flaminco drag (I guess the cigarette factory pays well enough for expensive, awful clothing). The editing is awful beyond belief, and what we wind up with looks something like a 60's TV show. The sets are claustrophobic and the chorus over acts like meth amphetimine addicts. During the entr'actes we get close ups of THE GREAT MAN, eyes closed, blah blah blah: If he was in charge of this whole mess, someone should have yanked artistic control over the video and production away from him. Now, the SINGING is first rate, but unfortunately Bumbry's Carmen is all over the place interpretively: she hasn't a concept of inner motivation and the psychology of the character. She moves and mugs only because the director told her where to go: the character winds up completely unformed. Vickers fares some better, as does Diaz, but Freni is a victim of 'opera acting': meaningless mugging ala silent screen acting. This DVD is an example of what I HATE in opera video: one never gets the sense of what these great artists must have been like in the THEATER; Karajan traps them in a tiny screen, where their gifts, best seen from a great distance in a theater, are confined to a box.
Skip this one, or listen to it with the TV turned off.
  Dream cast March 16, 2006 18 out of 18 found this review helpful
Herbert von Karajan was certainly an ambitious devil. Not content with being a great conductor, he insisted on "dabbling" in film, making a series of opera movies. This Carmen is one of them, and it proves the conductor to be quite talented as a visual artist. Of course, it doesn't hurt to have a cast this good, which is as close to perfect as you are likely to get.
The film itself is lovely to look at. The costumes are beautiful, the sets spacious and realistic, and quite gritty(appropriate, considering the setting and earthy subject matter), and the use of camera angles is revealing of character, glorious during some of the crowd scenes, frequently imaginative. The scene in the first act where the gypsy girls sit on the steps of the cigarette factory and languidly sing is colorful, artistically staged, worthy of a painting. The way Escamillo connects with his female admirers during the Toreador Song is well staged. The flamenco and ballet scenes(inserting music from L'Arlesienne) are choreographed superbly. And of course the closeups of Carmen at her most seductive or Don Jose at his most angst-ridden are priceless. One caveat, the film is dubbed, but the quality of the dubbing is very professional, most of the time it's hardly noticeable, rarely is it distracting.
On to the singing actors. John Vickers has his detractors, but I am not one of them. Critics suggest that his voice is not beautiful enough, but I find no evidence of this, particularly in this performance. His Flower Song is heart-rending, enough to melt the heart of any Carmen. His Don Jose has a soul, a wounded soul in fact, loyal(in love at least) to a murderous fault while aware of its own weaknesses. It's a mesmerizing performance.
Mirella Freni has the correct ingenuous beauty, as well as the vocal chops to pull off a ravishing performance as Micaela. It's not a large role for such a big name, but Freni makes it large through the sheer force of her lung power. Her act three aria is among the opera's, and this film's, highlights.
Justino Diaz is a suave, handsome Escamillo with a powerful baritone voice. The Toreador song is sometimes difficult to pull off, with singer and orchestra competing for center stage, but Diaz olds his own against the forces of the Weiner Philharmoniker.
As for Grace Bumbry, what can you say? Her Carmen is absolutely smoking HOT!!!! Not only is her Carmen among the best I've ever heard, it is probably THE best I have ever seen. Instead of playing Carmen as an oversexed mankiller, she brings layers of intelligence and sophistication to the role, which not only makes her character more logical, it makes the unfolding of events more logical as well, and, as a result, this is probably the most thoroughly satisfying Carmen from my experience. Simply astonishing!
Von Karajan and his orchestral forces give a vital interpretation of the score, slow at times but always involving. I noticed only one cut, in the final duet between Carmen and Don Jose. Overall, the sound quality is very good. From an aural standpoint, you aren't likely to find a better Carmen anywhere.
Nor from a visual standpoint. The filmmaking is surprisingly good, and the video transfer is superb, bringing a brightness and purity to the colorful images.
Highly recommended.
  Dated movie but great singing December 26, 2005 6 out of 11 found this review helpful
This is a movie, not a live production. With an opera movie, you get the standard lip-synching - yuck. I was really disappointed when I saw it was a movie. It is also a very dated production - Carmen and Micaela are wearing the bouffant wigs with the dippity-doo curls on the face and lots of mascara. Carmen is wearing a mini-skirt - a red flared one. The soldiers' uniforms are olive jackets over light blue pants - art deco meets the military. So, I just didn't watch the whole thing, but I did listen to it. The singing is wonderful. I did find Karajan's conducting a bit pokey at times, particularly on the Habanera. He always takes the most exciting moments down to a plodding shuffle. I recommend this video only to hear the singers, but otherwise, I would strongly suggest purchasing a video of a live production of Carmen, or if you want to see a movie of Carmen, the Domingo/Migenes one is much more timeless.
|
|
|