| Delibes: Sylvia | 
| Actors: Leo Delibes, Darcey Bussell, Orchestra Of The Royal Opera House
Studio: Opus Arte
Category: DVD
List Price: $32.98
Buy New: $22.30
You Save: $10.68 (32%)
Buy New/Used from $22.30
Avg. Customer Rating:   (15 reviews)
Sales Rank: 10582
Format: Classical, Color, Dts Surround Sound, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), English (Unknown), Dutch (Subtitled), English (Subtitled), French (Subtitled), Italian (Subtitled), Spanish (Subtitled)
Rating: NR (Not Rated)
Media: DVD
Running Time: 117 minutes
Number Of Items: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: 986
UPC: 809478009863
EAN: 0809478009863
ASIN: B000WMHTAU
Release Date: January 29, 2008
Theatrical Release Date: 1996
Availability: Usually ships in 1-2 business days
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| Customer Reviews: Read 10 more reviews...
Really Worth Owning November 7, 2008
How great to see this ballet restored after all these years. I truly enjoyed it and am glad Bussell was recorded performing it. Of the Royal Ballet dancers it's hard to imagine anyone else in the part (well except Margot but I meant current dancers).
This one was a great surprise and lots of fun
A common man's point of view. August 2, 2008
1 out of 3 found this review helpful
This ballet has some of the most beautiful music you will ever have the pleasure to hear. Even Tchaikovsky thought it was the best music he had ever heard. When he heard the music for the ballet Sylvia, Tchaikovsky said that if he had heard Leo Delibes music for Sylvia before he wrote his own music for Swan Lake, he would NOT have written Swan Lake. We should ALL be glad that he did not hear it, because we would not now have the worlds most beloved ballet, Swan Lake.
If for no other reason, one should own this ballet just for the music. It is stand alone quality, as Tchaikovsky's is. However, you also get to see the beautiful and talented Darcey Bussell and very handsome Roberto Bolle perform some extraordinary dancing. The horn passage which is played at Sylvia's entrance is some of the grandest horn music ever written. I think Leo Delibes knew it was good so he let us hear it three times in Sylvia's entrance sequence, and more of it later.
Sylvia is an Amazonian (heroine) huntress who is a protege of the Goddess Diana, and who, in obedience to Diana, has forsaken love. She mocks the statue of Eros, the God of love played by Martin Harvey, who stands so stark still in the opening scene that he seems to be a real statue. The Amazons discover the shepherd Aminta, who is in love with Sylvia, hiding close-by, and during the confrontation, Sylvia, attempting to shoot Eros with an arrow, accidentally shoots Aminta instead. In retaliation Eros shoots Sylvia with a magic arrow, causing her to later fall in love with Aminta. Sylvia realizes she is in love with Aminta and returns to aid him when she is discovered by the evil hunter Orion, played by Thiago Soares, who abducts her and carries her off to his cave where she is held captive.
It is a great aid in the understanding of the ballet to hear Bussell's introduction before each act, accessible only from the chapters menu. We are not all balletomanes, as some people like to call themselves, so we can use some information like she gives us. Also, it's nice to see what happens on stage before curtain-rise, another good reason to have a live performance instead of a filmed sound stage version. I thought it was remarkable that Bussell was able to make a complete costume change (in act two) in just one minute and fifteen seconds. She does this in order to fool Orion into thinking he is winning her over to his advances, but she is really going to try to escape from him after getting him drunk. The Royal Ballet version of Sylvia is very good and the orchestra is superb. Also, the British make very good audiences as they know enough to hold their enthusiasm in check until the right moment. Darcey Bussell gives us some very informative comments just before each act, but you can only access them by clicking on the chapters menu.
I promise you will love this ballet.
Sylvia neglected no longer July 28, 2008
2 out of 2 found this review helpful
The story is nonsense. SO WHAT! The music is great; the dancing uniformly excellent and Darcey Bussell spectacular. If you haven't seen her before ( I had not ), you're in for a treat. Her dancing manages to be at the same time athletic AND beatiful. If you want to see a prima who is technically superb and also sexy (is it O.K. to say that in the context of classical ballet), this is the DVD for you.
Most Requested By Friends July 7, 2008
2 out of 2 found this review helpful
Of all the ballets in my VHS and DVD collection, this has been the most frequently requested since it arrived in January. Neighbors and friends have brought their friends to enjoy the spectacle of beautiful dancing, orchestral playing and visual splendor on my HDTV large screen, surround sound system. The score has been one of my favorites since childhood and it is well served here. The scenery is lavish and lush. The dancing? In a word, WOW! The pairing of Bussell and Bolle is perfect. Each compliments the other and can dazzle when dancing solo or together. Too bad there wasn't more choreography for Bolle's Aminta, but since this was originally created for Fonteyn (only saw her do a few excerpts, never the complete) it's understandable that Ashton concentrated on her. The supporting dancers and corps de ballet are excellent. One last compliment must go to the video director who, mercifully, ignored the quick-cut MTV style of photography so prevalent today and presents a beautifully balanced presentation so you can see all of the dancing. A wonderful way to spend an evening with family and friends. Most highly recommended.
the best Sylvia you will find. May 19, 2008
3 out of 3 found this review helpful
Sylvia is a ballet rarely performed these days. This Royal Ballet version has superb dancers, the lovely Darcey Bussell, a fine score and good classical choreography. The ballet has a mythological story line that is as daffy and arbitrary as many fairy tales (statues coming to life, for example}, and it must be noted that there is little in the way of emotional and psychological depth. However the dancing is lovely.
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